The Wooster Group: bibliography

NOTE: If you run across an article about The Wooster Group or by or about any of its members, please send me the citation and I'll add it to this list. Be sure to put "wooster" in the subject line, or your message might accidentally be deleted with the spam if I don't recognize your address.

February 10-16, 1999
Jonathan Kalb, "Theater," NYPress Arts & Listings, p. 58.

February 11-18, 1999
Robert Simonson, "House/Lights," TimeOut New York, Issue 177.

February 9, 1999
Michael Feingold, "Current Affairs," The Village Voice, vol. XLIV No. 5.

February 3, 1999
Ben Brantley, "A Case For Cubism And Deals With Devils," The New York Times.

February 1998
Bevya Rosten, "The Gesture of Illogic," American Theatre, vol. 15 no. 2, p. 16-19.

May 12, 1997
Robert Brustein, "The Hairy Ape," The New Republic, vol. 216 no. 19, p. 27.

March 30, 1997
Don Shewey, "A Quiet SoHo Troupe Makes a Raid Uptown," The New York Times, p. 6.

Spring 1997
Michal Sapir, "The Wooster Group -- no relation," Dance Theatre Journal, vol. 11 no. 4, p. 6-9.

July 9, 1993
Deborah Levy, "Saved by the bells: Deborah Levy watches the Woosters reclaim Checkhov for the modern world," p. 27-28.
Deborah Levy, "Brace Up!," p. 29.
New Statesman & Society, vol. 6 no. 260,

Winter 1992
Susie Mee, "Chekhov's Three Sisters and the Wooster Group's Brace Up!," p. 143-153.
Paul Schmidt, "The Sounds of Brace Up! -- Translating the Music of Chekhov," p. 154-157.
The Drama Review, vol. 36 no. 4,

November/December/January 1991
Heather Elton, "New City of Angels," Dance Connection, vol. 8 no. 4, p. 26-39.

Winter 1990
Rick Berg, "Frank Dell's The Temptation of St. Antony," High Performance, vol. 13 no. 52, p. 45.

Spring 1990
Wanda Phipps, "Two Women: Creating Their Own Worlds -- An Interview with the Wooster Group's Elizabeth LeCompte and Mabou Mines' Rugh Maleczech," High Performance, vol. 13 no. 49, p. 32-35.

May 1989
John Calhoun, "The Road to Immortality and Europe: The Wooster Group tours LSD -- Just the High Points," Theatre Crafts, vol. 23, p. 46-49+.

April 1987
Lisa Liebmann, "Radical Cheek to Cheek," Vogue, vol. 177 no. 4, p. 90.

March 1987
Philip Auslander, "Toward a Concept of the Political in Postmodern Theatre," Theatre Journal, vol. 39 no. 1, p. 20-34.

1986
David Savran, Breaking the Rules: The Wooster Group, New York: Theatre Communications Group, Inc.

Summer 1985
Arnold Aronson, "The Wooster Group's L.S.D. (...Just the High Points...)," p. 65-77.
"The Wooster Group Dances: from the Notebooks of Elizabeth LeCompte," p. 78-93.
David Savran, "The Wooster Group, Arthur Miller and The Crucible," p. 99-109.
The Drama Review, vol. 29 no. 2,

1985
Gerald Rabkin, "Is There a Text On This Stage? Theatre / Authorship / Interpretation," Performing Arts Journal, vol. 9 no. 2/3, p. 142-159.

February 1984
Tish Dace, "Plywood and electronics: Designer Jim Clayburgh of the Wooster Group," Theatre Crafts, vol. 18, p. 24-28+.

Fall 1981
Leonara Champagne, "Always Starting New: Elizabeth LeCompte," The Drama Review, vol. 25 no. 3, p. 19-28.

1980
Spalding Gray, "Children of Paradise: Working With Kids," Performing Arts Journal, vol. 5 no. 1, p. 61-74.

March 1979
James Bierman, "Three Places in Rhode Island," p. 13-30.
Spalding Gray, "About Three Places in Rhode Island," p. 31-42.
The Drama Review vol. 23 no. 1

1978
Elizabeth LeCompte, "An Introduction," p. 81-86.
Spalding Gray, "Playwright's Notes," p. 87-91.
Spalding Gray and Elizabeth LeCompte, "Play: Rumstick Road," p. 92-115.
Performing Arts Journal, vol. 3 no. 2,

Winter 1965
Michael Kirby and Richard Schechner, "An Interview with John Cage," Tulane Drama Review, vol. 10 no. 2, p. 50-72.

Fall 1965
Richard Schechner, "Ford, Rockefeller, and Theatre," Tulane Drama Review, vol. 10 no. 1, p. 23-49.